last call lectures: the epic journey of the odyssey: from the iliad to the aeneid to imax theaters

christopher nolan just spent a quarter-billion dollars reminding everyone that one of the hottest stories of 2026 is also roughly 2,800 years old.

but before odysseus was matt damon, before the trojan war was an imax spectacle, and long before western civilization decided that reading dead greeks made you sophisticated, there was homer: a probably-not-one-guy poet telling enormous stories about war, monsters, gods, bad decisions, wounded egos, and one man taking an absolutely unreasonable amount of time to get home.

in this lecture, historian dr. john j murphy takes us back to the ancient world to unpack the iliad, the odyssey, and their wildly influential roman successor, virgil’s aeneid. we’ll meet heroes who are brave, petty, horny, traumatized, occasionally brilliant, and spectacularly bad at conflict resolution—and ask how their stories became some of the foundational texts of western literature.

then we’re heading to the movies.

what does christopher nolan keep from homer? what does he throw overboard? why make the gods quieter, the war darker, and odysseus more recognizably human? and when you adapt a story that has already survived nearly three millennia of retellings, is changing it actually a betrayal, or the most homeric thing you could possibly do?

come for the cyclops. stay for the fall of troy, roman propaganda, ancient masculinity, unreliable narrators, extremely vindictive gods, and the realization that basically every road movie, war story, homecoming narrative, and “one last job before i can go home” plot owes homer his flowers.

we’ve spent 2,800 years telling the same stories; christopher nolan just put them back in imax.